Our dancers

This catalogue is built differently — here is how to read it

Nineteen stage artists, not five hundred — because every one of them passed a trial show before the team, a mentoring period beside a veteran, and stands behind every photo in her profile. The rule at the top of the page is the heart of the business: the one you pick is the one who walks in. No "for illustration only", no last-minute substitutions, no surprises of the wrong kind. Every profile carries current photos, a stage style, languages and the formats she is strongest in — and the text below turns nineteen options into one right choice.

Six stage styles — who is who

Every dancer in the catalogue belongs to a style world of her own, and that is the best starting point. The warm home style — Tamar Gold: the solo of family living rooms and intimate evenings, a presence that calms a shy crowd. Elegant noir — Ester Kaplan: the class of suites and milestones, a show that looks like a film scene. Go-go energy — Maya Breeze: high tempo for young crews, the pick of parties that want volume. The club act — Lana Hoffman: the one who lifts lofts and holds a big crowd as if born on stage — because she was. The runway queen — Sapphir Berkovich: the glam of big events and special projects. Nocturnal exotica — Tala Dorian and Lilit Morgan: the shows that look best under stars and low light. Found your world? Half the choice is already made.

How to read a profile — in two minutes

Every profile is built from the same parts, deliberately. The photos — of the dancer herself, from recent months; if something changes in her look, the photo updates before you would notice. The style — not a slogan but a working definition: it sets the music, the costumes and the energy of the hour. The languages — which language she runs a full show in, not just greets in. The formats — where she is strongest: a chamber solo, a synchronised duo, big-crowd evenings. Read two profiles from the same style — and you will feel the difference between the two; it is real, and it is exactly what we want you to feel.

Choosing by the evening's language

Hebrew they all speak — but some evenings need more. A Russian crew gets a full show in Russian with Karina Voronskaya — jokes and improvisations included; an international evening in fluent English lives with Eva Wright, the standing pick of tech events and guests from abroad. And at mixed events our bilinguals switch languages mid-sentence — mention the crowd's language in the first message, and it is settled before you finish your coffee.

Standing pairs — for those booking a duo

A good duo show is not two soloists who met on the way — it is a pair that has danced together for years. Our three standing pairs: Shira and Lana — the club duet that fills any loft; Sapphir and Karina — runway and glam in three languages, the pick of elegant events; Lilit and Tala — the nocturnal exotica built for rooftops and yards. How it works on stage, what the synchronisation delivers and when the upgrade pays — all on the duo show page.

Who for a fifty-plus milestone, who for a bachelor party

The crowd's age shapes the choice no less than the style. For elegant milestones — Dina Klein, the lounge queen of fiftieth and sixtieth celebrations: a slow, respectful set that makes the guest of honour ask for an encore. For bachelor parties — the catalogue's high energies, and if the groom is shy, tell us: there are entrances built exactly for him, as the bachelor page explains. Not sure which register fits your evening? That is precisely the question you send to the chat.

The three-question method — when you cannot decide

Nineteen profiles are wonderful until you must pick one. The solution that has worked hundreds of times: write us three answers — who is the crowd (age, mix, language), what is the occasion, and where (a living room, a yard, a hall). Within minutes you receive two or three candidates who fit exactly, with current photos and one sentence on each — why her. The final choice is always yours; we only make sure you choose between right ones, not between pretty pictures.

Free tonight? A one-minute question

The catalogue shows everyone; who is free on your date is a chat question, answered within minutes with that evening's availability list. Want someone specific on a busy date? The earlier you write, the better the odds — the requested veterans close first, especially on summer weekends. And one standing promise: if the one you chose is not available, you get alternatives from the same style world — never "whoever is left".

New faces — and why they are worth watching

The catalogue is alive: every few months a new dancer joins, always after a trial show and mentoring beside a veteran. "New with us" is not "new on stage" — she is an artist who has already passed our training, with a beginner's freshness and a veteran's standards. Watch the catalogue — or simply ask in chat "who is new?": early bookers get the most eager evenings.

A principle worth knowing: the price does not depend on the dancer

A recurring question: "how much does she specifically cost?" — and the answer surprises many: the same as everyone. There is no "star rate" and no "beginner discount" here — a solo is a solo and a duo is a duo, by the single price list, regardless of the name on the profile. The reason is principled: we want you choosing by the right style for your evening, not by the wallet — and every dancer in the catalogue meets the same professional bar, or she simply would not be here.

Style meets format: the pairings that work

The style answers "how it will feel", the format answers "how it is built" — and the magic is in the right crossing. The warm home style peaks in a chamber solo; the club act and the runway were born for big bachelor parties and duos; noir and lounge make fifty-plus milestones unforgettable; and the nocturnal exotica asks for a rooftop, a yard or a pool. It works the other way too: picked the format first? The fitting style is already waiting in the catalogue.

Two new arrivals

The catalogue is growing, and the two newest bring genres that were not here before. Roni Malka — the burlesque of confidence: real curves, velvet, a slow tempo full of presence; the pick of those who know exactly what they like, and of evenings that want warmth and humour. Nicole Lux — a full LED show: a light suit, hoops and pixel fans that draw the guest of honour’s name in the air; a genre that looks like a festival act and happens on your roof. Both passed the same route as everyone — a trial show before the team and mentoring beside a veteran. Two more joined alongside them: Michal Sharon — grown-up elegance, dry humour and quiet command; the pick of a forty- and fifty-plus crowd and of senior company evenings. Adele Fox — presence at scale: copper hair, long lines and an entrance that changes the proportions of a hall; the one who holds a large crew without a microphone.

And what you will not find here

No ratings and no "most popular" — because the right choice depends on your evening, not on other people's statistics. No ages and no measurements — a profile here tells you about a stage, not a body. And no inflated promises: what the profile says is what arrives at the door. This catalogue rests on one simple principle — respect: for the dancers, for you, and for the evening you are building. Everything else follows from it.